该剧是根据2010年俄罗斯间谍网曝光事件改编，主创本人曾于1990-94年担任中情局特工 美苏冷战期间，里根刚刚当选美国总统后不久，一对前苏联克格勃间谍奉上级指令潜伏在美国首都华盛顿郊区伺机收集军政情报。伪装成一个美国式家庭——丈夫Philip（马修·瑞斯 Matthew Rhys 饰），妻子Elizabeth （凯丽·拉塞尔 Keri Russell 实），与一对不知道自己身事的子女13岁的女儿Paige（霍利·泰勒 Holly Taylor）和10岁的儿子Henry一起生活。FBI探员Stan（诺亚·艾默里奇 Noah Emmerich 饰）乔装成平民搬到他们隔壁对其展开调查。而同时，他们的关系随着时间的推进越来越亲密和真诚，但是冷战的升级和间谍组织对他们保持的关注和监视也在考验着他们之间的情感。更关键的是Phillip越来越适应美国的生活价值观和思维方式。
I spent almost a month on this TV series. I have to say I'm getting addicted to it! This series just hits my heart, pushes me to think about the ideology behind it, and shocks me on the inner struggle and conflict in their daily life. All the motivations drive me to write this essay.
Love, betray, and live together
This part is for Philip and Elizabeth Jennings. They were "arranged" couple from 1960s to early 1980s. Although they rise a girl and a boy, which is typical American life, they still cannot get in to each other. The fertility is more like a mission for them to cover, rather than their real love. We can see more on this in the first episode "Pilot".
This kind of faked "love" makes Philip frustrated. He do believe that Elizabeth cannot accept him in her heart. Then he shows "strong" on Martha Hanson, his informant. Elizabeth asks once then, but neither of them feel good. The "real marriage" is the critical issue for them, until they finally get married in season 5. When they finally get settled in their home country, their marriage may have settled as well.
It's hard to blame all on Elizabeth. Elizabeth is most loyal agent in the organization, and she has decided to devote all her life to this career. Philip feels her "cold", Paige yowls her "whore" once, and Henry is not close to her. All the family issues cannot change her mind to complete those missions. She may be the only one who follows order without thinking. For such kind of person, deception is the most terrible thing. Philip makes a "mistake" in season 1, and get punished for a long time. Claudia plays her in the last season, and the mission terminate their undercover mission.
Their marriage is the vital part in this series. Just like Mathew Rhys says, "You have two people who have led the most incredibly strange life together with incredibly high stakes, in this scene of domesticity that is an absolute lie, and at the end of the pilot they're finding each other for the very first time."
Family issues
This part is for Paige and Henry. Paige and Henry are different, they have distinct personalities. The first episode "Pilot" shows an ice cream battle, which is interesting to show their difference.
Paige prefers waiting, until she's ready to take the critical strike. That is her way. She is smart. She's trying to find her way. She tries to find herself in church, in her parents' organization, in her relationship with others. She hasn't seek the answer yet. But she is brave as well. She makes her final decision to stay and hide. It's so hard to analyze her next move. It's an open ending.
On the other hand, Henry prefers moving, grabbing every opportunity. Henry knows what could be best for him. He is a typical American boy, paying passion in sports and video games. He cares for relatives around, but not as sensitive as Paige. He is just laid-back. This kind of personality helps him, but impedes him to understand the truth about his parents.
It's so hard to make arbitrary decision on Paige or Henry's life behind. Their life is not a tragedy. It is the historical process that makes their family separated. Those defining moments, before or after, happened or is happening.
What is a friend?
This part is for Stan Beeman. Stan is a good officer. He values high on his occupation. But he has changed a lot from the first season to the last one.
His mistress Nina Krilova gives him a shelter for his shaky marriage. The relationship between them is more than a agent-informant relation. Stan cannot find love from Sandra, his former wife, nor his cold family. The safe house for Nina and him truly becomes their "love nest". Even warmth from the little home only lasts for two seasons. Stan's chooses for loyalty ends their relationship, and reveals the fate for Nina.
Oleg Burov is another figure that changes Stan. The cooperation between Stan and Oleg Burov helps each other, but ruins them as well. Oleg is an idealist, who behaves impulsively on act of will. Stan, on the contrary, is cold-blood in most cases. Their last conversation in the holding cell pushes Stan a lot. It may be a explanation for his choose to let Jennings leave.
Chris Amador and Frank Gaad are close to Stan. They are not just colleagues for him. The death of Amador irritates Stan, but he never find the murderer. The death of Gaad shocks Stan, but he never find the source as well.
The man behind is Philip Jennings. How ironic is that. When Stan points his gun to Philip, he shouts "you were my best friend". They are too close to each other. They go to EST organization together, play squash together, drink together, and have dinner together. Stan is a de facto member of Jennings' family. Henry may be his stepson.
Their friendship saves Philip and Elizabeth's life. Their friendship saves Stan as well.
With Or Without You
And it ends with With Or Without You by U2, just like Friends end with Walk On. Why my favorite shows always end with the same band, my favorite music band? The couple is just flying for their lives. Both of Paige and Henry are living with them in their lifelong memory. They are without them in reality, and are leaving alone. Paige's decision of "stay" shocked me a lot. Philip and Elizabeth just watched her, even had no time to say good-bye. I do believe this set will keep in my heart for a long time.
I cried sadly when I heard this song in the last episode. It recalled my left from the same country in June 2014. At that time, I drove a rental car, playing my iPod with shuffle mode. This song just came and hit my heart, again and again. I have to stop the car on the side, to get myself calm.
The nineteen-eighths is fascinating in our age, like the "golden era". The rise of free market economics leads to booming enterprises. The emergence of new technologies and media revolutionized communication, entertainment, and business. The growth of pop culture and consumerism, music, movies, fashion, and sports, are the fundamental elements for the next decades. I really enjoy the "taste" deriving from this series, bringing more sentimental emotions back to 1980s.
叹为观止，将KGB描绘得出神入化。KGB的强大是建立在他们的特工是由特殊材质构成的，他们不能是人，因为人是有情感的，有七情六欲，有弱点的。一旦特工变成了人，那么他不可能如此强大。人有夫妻之情，家庭父母儿女亲情，这些，都几不利于工作。所以，必须斩断一切，只效忠于“Soviet Union”，你才能成为特工。
譬如和学员发生关系是训练的一部分，这就是“去势”的过程，和教练性交只是一部分，肯定还有和老头性交，和同性性交……这绝对不是教练占便宜，因为当年的教练自己一定也有过类似经历。必须慢慢地把你身上的人性磨灭，等到你的人性消失殆尽，你就毕业了，这时的你只是一个工具，长得像人的工具罢了。
但是，再怎么训练，人终究是人，人性不可能被全部磨灭，总会有残留，在这部剧中，Philip明显是那个人性遗留更多的角色，从他在第一集对300w美元心动便可以看出。这可不是一个合格的KGB特工应有的举动。好在在他的妻子子“Elizabeth”的帮助，督促，监视下，让他没有走入歧途。而Elizabeth同样也有人性的残留，她一定要杀掉当年“性侵”她的教练，而非听从命令将他运送回国示众。这是她人性未泯的体现。
Elizabeth和Philip Gregory的三角恋情贯穿季，一方面Elizabeth和Philip是工作关系，夫妻只是名义上的，而Gregory是她爱上的第一个男人。不过，日久生情，Elizabeth和Philip要说完全没有感情，显然是扯淡。他们之间的情感非常复杂，复杂到他们自己都说不清。而Elizabeth在Philip和Gregory之间来回游走，非常精彩，再一次显示出Elizabeth的人性未泯，也险些因此坏了大事。
Elizabeth完全沉浸在自己的世界中，她是真的想拯救水深火热的美国人民。Philip有一句话说得好：你完全不懂????????，Philip明显更懂美国，他知道信god的人不好对付，他知道黑格代行总统职责并非政变夺权。他想给Henry买更好的车，更好的玩具……他的人性残留更多
KGB特工是毫无人性的，性交也是工作的一部分而非享受，所有的一切都是利用的工具，包括孩子，Elizabeth和Philip说绝不让孩子牵涉进来，我觉得可能性不大，在必要的时候，孩子是一个行动中很好的cover，而如果组织需要，Elizabeth绝对会在正确引导下劝说Paige和Henry成为KGB二代，Philip或许会反对，但是无能为力，因为Elizabeth的地位更高（她可以直接向朱可夫将军汇报）。在季末Philip前女友让他一起私奔，还告诉他有个儿子，Philip动心了，但是他没走，因为他不知道，这到底是真心邀请还是组织的另一次忠诚考验，至于儿子，前女友的一句话鞭辟入里：“只有祖国和荣耀才是真”。是的，其他的一切，都是虚幻，都不可信不管是你的妻子还是上级还是战友，KGB所生活的世界，需要无时不刻高度紧绷神经，才能保证自己的安危
很少看谍战剧，但是谍战剧只要拍得好，按照其先天内容优势，情节上就一定不差。这一部，情节上没得挑，当然有人会说了，男女主人公都自带着主角光环，反正怎么也不会死。说实话，少见的如《权利的游戏》这种剧，真的会在剧中死主角，大部分的剧都符合着观众期待，主角一般不轻易死去。而且好的剧，就算你能猜着结局那又怎么样，你难道看剧的乐趣只是在猜谁什么时候死去吗，那你也太小看间谍剧的博弈乐趣了吧，好的剧好的电影，猜得到结局也猜不到内容本身。
豆瓣上只要出了新剧，随之而来出现的是越来越多的一集党。当然，我自己也有很多时候是一集党，不过我实在是觉得，是不是现代人的生活节奏实在太忙，40分钟之内就必须决定是不是要继续浪费时间，于是想看下去的理由也许只有一个，而不想看的理由总是能冒出太多。如果您真的只看了一集，我觉得删除这个条目都比直接上一星要来得好，私人意见。而且我不知道很多人是不是本身就带着偏见开始的，有人觉得美帝意淫太强烈，有人觉得剧情有点闷，说实话，这剧的剧情在逐渐开始走内心戏的美剧大潮中，已经是非常有良心的了，基本上每集都有两到三个高潮出现。有人说男女主角的刻画让人讨厌，没关系，总有人是特别投入感情在看剧，并且总能在一部剧中发现这样那样看其不爽的角色，因之看不下去我也无话可说。也有人就说了“弃”“弃了”“一集弃”，无原因无来由，让人摸不着头脑，不过话说回来，看剧确实是一件让人愉快的事，如果真的让您这么痛苦，一集半集弃倒是无所谓。
美国谍梦有缺点吗，当然有。苏联美女最后突然决定坦白一切做双面间谍，这一剧情交待的有些不明不白，有铺垫，但是比起本剧中的其他伏笔还是有些草率。而且说白了，我其实也不甚喜欢Stan这个FBI探员，倒不是因为他早就嗅到了我们男女主角的身份，而是他的样子一开始总觉得是一个扑于工作的警探，结果和苏联女间谍的这一腿，确实从情节设置上让我不喜欢。而至于很多人说的“假假”的，那当然，既然作为一部剧，就有剧的考虑，若说是主角光环太过于强烈，这部剧中的两位确实也经历了大大小小的波折，若说是觉得关注点太着重于两位主演的情感纠葛，我想说这不是纪录片，而且说实话，我已经很久没看到在人物刻画上下这么多功夫的剧了。
美国谍梦讲述的是80年代苏联特工克格勃在美国活动的故事。采用常见美剧模式，从具体特定人物身上，来看大体的间谍活动。首先，既然是特定剧情特定年代，本片在氛围营造上还是相当用心的，不管是无处不在的精湛80年代选曲，整体清冷有点压抑的氛围，融入特定时期的大事件如里根被袭，都是非常不错的。然后我们再回到剧情上，美剧在中国大地火红了十年，说实话美剧什么节奏大家都清楚的很，《越狱》把大家喂大的最主要一点就在于剧情无时无刻不处于紧绷状态。于是，稍有点沉闷的剧很多人就纷纷看不下去了，包括我自己，像《昭雪》就是典型看不下去的剧，而在国内越发走红的《美恐》，就看过的第三季来说，就属于过于Drama型了。不过说实话，这部剧从任何一个方面来说，“闷”这个词都是不恰当的。
基本上每一集都有不少的紧张处。第一集一开头男主Philip及其同伙追捕已叛变克格勃成员，这场追捕戏不光拍的好，而且剧情设置上为后来的“背叛”“查找追捕中被杀成员”等多处剧情埋下了伏笔，而把叛变成员放于后背箱，更是第一集末尾那场FBI潜入车库戏的完美照应。而Philip与FBI工作人员Masha的见面，则更是完美的铺到了季末，剧中好几个重大矛盾都与Masha的见面有关。而将FBI成员设定为男女主角的邻居，是美剧一惯的套路了，猫捉老鼠的游戏，猫与老鼠关系上越接近，矛盾才越好开展（如绝命毒师）。很快的，这名名叫Stan的探员就感受到了男女主角不一样的气息，在第一季的开头与第一季的末尾，他都表现出最强的对这两位的怀疑或者说确定。而Philip在此时的动摇，以及夫妻俩在车库内的对打戏，从视角上当然是精彩，也为第六集组织检验Philip的忠心做了伏笔。
因此你可以看到，在第一集，编剧们就用心埋下了重多的伏笔。而美国谍梦也确实是一部支线非常多的剧，女主角Elizabeth的黑人同伴，这条线也非常重要并且感人；两位在第六集时遇到的检验确实让人神经紧张；最后一集其实我还是不太懂整个局是怎么设置的，等等等等。因此，每一集的前情提要就显得异常重要，因为它一般会揭示这一集要重要讲哪几集的剧情。
为了防止剧情被泄露的太干净，来说说人物的刻画。总体来说，《美国谍梦》中的人物还是刻画得很细腻很立体的。也许有人不适应每个人的感情线都开展得过于多了，说实话，有些剧情的设置我也觉得不是很认可，但是大环境下的小人物，本来其私人空间就一向不被人所关注。所以，做适当的戏剧化处理，完全可以理解。剧中反复出现Elizabeth的那句，我22岁那年，和一个陌生男人来到一个陌生国家一个陌生房子里，成为了男女主角整个关系的最初注解。两个人，一开始会觉得战友的感情其实更甚于夫妻，一直到剧集进入到三四集Elizabeth才点破她是开始逐渐放了真感情在的。因此，在之后的剧情中，温情开始占据上锋，不再是第一集时展现出的若即若离剑拔弩张。虽说两个人的关系也总是起起伏伏，特别是在Philip受组织考验这件事，成为了两位走向分离最直接的导火索。不过两个人即使感情出现裂痕，爱还是在细微之处展现，最后一集中Philip与Elizabeth在出任务之前，反复交待最糟糕的情况，要对方看好孩子，Philip的那张纸条，无处不在的细节，堆出了被逼上绝路的两个人携手患难的真情。
Stan这个FBI探员，被设定成了一个扑于工作，重兄弟情谊，感觉灵敏的人物，甚至从演员的选择上，你也能看出是一个不折不扣的“正派硬汉”。不过第一季中，他与男女主角的正面对抗其实并不多，多把他的线放在了与苏联美女的接触上。这一脚婚外情确实设计的有些多余，两个人不明不白的婚外情让人多多少少看的有点不爽快。而其怒杀苏联大使馆人员，虽可见其为兄弟报仇的拳拳之心，也让人觉得有些过于冲动了，这一点，比起Elizabeth来说，可就差远了。
这里面让我印象深刻的还是黑人Geogery的设置。他深深真着女主Elizabeth，多次提出想带着Elizabeth离开，甚至还对philip说她应该跟我在一起。而在最后，他自愿扛下了所有的罪行，缓缓走出房门回头看一眼elizabeth后街头枪战的一场戏，实在是太让人感动了。
看的时候想说的很多，真正看完后，因为支线过多，反而有些不知道从何下笔了。在这一季的最后，很显然，他们的孩子不可避免的要开始参与到父母的这一场战争中了，编剧们也应该要让探员来和男女廨来场正面对决了吧，我想。真诚推荐这部剧。
之前看美国恐怖故事，fx每天就开始不挺的在中间播放预告，这种让苏联人当正面主角的电视电影其实在美国并不多见，也许fx就是打了这个算盘希望能接下 美国恐怖故事 的好收视，留住大部分观众。
晚上加班 赶回家刚好赶上首播。
前五分钟可能是因为没适应配乐外带直接开始巷内追人的戏码让我有点出戏。 不过后面开始就觉得越来越精彩了。
两个主角的演技挺纯熟的，各有特色，两个素未谋面的特工一见面就立马要演夫妻并且放弃自己过去的一切，过双面生活，甚至为了掩盖身份要有孩子，还要不停的在孩子面前演戏。这些对演员演技其实是有挑战性的。稍有差错就会让人觉得出戏，其实并不好演。
尤其喜欢男主，很多人可能觉得 你特工特工一定要跟电影里一样年轻帅气，能文能武，男主外形可能称不上完美，但是其在剧中人物性格的塑造恰恰让他变成了一个有魅力的男人，而且绝对会让你上瘾。
第一集里 感觉编剧在感情转折上还是下了功夫的。 matthew饰演的父亲看自己女儿被调戏后 因为担曝露身份而没当面打人，离开时憋气的跟女儿说，我不应该打架之类的借口都难掩他作为人父的爱女之心。而后来找准机会跑进调戏女儿的男人家里 狠狠的揍了那男人一顿，让人大呼过瘾。
中间偷听 “老婆”为获取情报而和fbi员工上床的录音时，那嫉妒心全部写在了脸上。
另外一场戏在于 matthew想把俄国叛徒送到新搬来的邻居家（邻居是fbi）来换取奖金被女主发现，便直接告白自己想和一家人一起远离间谍生活心意，这场近似于直接向女主角告白的戏把第一季冲向高潮。最后却因为了解叛徒与女主的个人恩怨改变了他的招降计划，当女主角的面手刃了叛徒 从而引发两人抛掉尸体后的 车震。
matthew 你除了你熟练的特工技巧，你完全就是个新好男人嘛！
这里足以看出 男主角 对孩子和 “妻子”的爱早已超越了对于 国家的爱。谁说不是，间谍也是普通人，一个正常人都希望有一个幸福美满的生活，而国家仅仅是幸福生活的一个载体。
这个电视剧总体来说值得一看
1。美国苏联冷战时期特有的 时代文化 (服饰，配乐）
2。有别于一般特工电视电影，主角的亦正亦邪导致敌人众多，有感觉 剧情发展下去 苏联政府也会变相成为其敌人，而并不是美国政府一方，另一方面美国反而会在某些方面帮他俩个为主角
3。暂时没出现什么多余角色。
4。Matthew哎 你真的是 什么都能演啊， 之前演了那么深入人心的同志角色，但这次看这个电视剧，完全不觉得突兀。
5。亲情加间谍 这两个主题融合的好的话 还是很有吸引力的。
看了第二集预告，感觉明显剧情冲突加快，到目前为止值得一追。
ps：女主演的其实也不错，那种效忠于祖国情感在被男主点点滴滴维护宽容下而慢慢瓦解， 演的都很自然。
另外很喜欢那个小女儿，长的很甜很可爱。
I spent almost a month on this TV series. I have to say I'm getting addicted to it! This series just hits my heart, pushes me to think about the ideology behind it, and shocks me on the inner struggle and conflict in their daily life. All the motivations drive me to write this essay.
Love, betray, and live together
This part is for Philip and Elizabeth Jennings. They were "arranged" couple from 1960s to early 1980s. Although they rise a girl and a boy, which is typical American life, they still cannot get in to each other. The fertility is more like a mission for them to cover, rather than their real love. We can see more on this in the first episode "Pilot".
This kind of faked "love" makes Philip frustrated. He do believe that Elizabeth cannot accept him in her heart. Then he shows "strong" on Martha Hanson, his informant. Elizabeth asks once then, but neither of them feel good. The "real marriage" is the critical issue for them, until they finally get married in season 5. When they finally get settled in their home country, their marriage may have settled as well.
It's hard to blame all on Elizabeth. Elizabeth is most loyal agent in the organization, and she has decided to devote all her life to this career. Philip feels her "cold", Paige yowls her "whore" once, and Henry is not close to her. All the family issues cannot change her mind to complete those missions. She may be the only one who follows order without thinking. For such kind of person, deception is the most terrible thing. Philip makes a "mistake" in season 1, and get punished for a long time. Claudia plays her in the last season, and the mission terminate their undercover mission.
Their marriage is the vital part in this series. Just like Mathew Rhys says, "You have two people who have led the most incredibly strange life together with incredibly high stakes, in this scene of domesticity that is an absolute lie, and at the end of the pilot they're finding each other for the very first time."
Family issues
This part is for Paige and Henry. Paige and Henry are different, they have distinct personalities. The first episode "Pilot" shows an ice cream battle, which is interesting to show their difference.
Paige prefers waiting, until she's ready to take the critical strike. That is her way. She is smart. She's trying to find her way. She tries to find herself in church, in her parents' organization, in her relationship with others. She hasn't seek the answer yet. But she is brave as well. She makes her final decision to stay and hide. It's so hard to analyze her next move. It's an open ending.
On the other hand, Henry prefers moving, grabbing every opportunity. Henry knows what could be best for him. He is a typical American boy, paying passion in sports and video games. He cares for relatives around, but not as sensitive as Paige. He is just laid-back. This kind of personality helps him, but impedes him to understand the truth about his parents.
It's so hard to make arbitrary decision on Paige or Henry's life behind. Their life is not a tragedy. It is the historical process that makes their family separated. Those defining moments, before or after, happened or is happening.
What is a friend?
This part is for Stan Beeman. Stan is a good officer. He values high on his occupation. But he has changed a lot from the first season to the last one.
His mistress Nina Krilova gives him a shelter for his shaky marriage. The relationship between them is more than a agent-informant relation. Stan cannot find love from Sandra, his former wife, nor his cold family. The safe house for Nina and him truly becomes their "love nest". Even warmth from the little home only lasts for two seasons. Stan's chooses for loyalty ends their relationship, and reveals the fate for Nina.
Oleg Burov is another figure that changes Stan. The cooperation between Stan and Oleg Burov helps each other, but ruins them as well. Oleg is an idealist, who behaves impulsively on act of will. Stan, on the contrary, is cold-blood in most cases. Their last conversation in the holding cell pushes Stan a lot. It may be a explanation for his choose to let Jennings leave.
Chris Amador and Frank Gaad are close to Stan. They are not just colleagues for him. The death of Amador irritates Stan, but he never find the murderer. The death of Gaad shocks Stan, but he never find the source as well.
The man behind is Philip Jennings. How ironic is that. When Stan points his gun to Philip, he shouts "you were my best friend". They are too close to each other. They go to EST organization together, play squash together, drink together, and have dinner together. Stan is a de facto member of Jennings' family. Henry may be his stepson.
Their friendship saves Philip and Elizabeth's life. Their friendship saves Stan as well.
With Or Without You
And it ends with With Or Without You by U2, just like Friends end with Walk On. Why my favorite shows always end with the same band, my favorite music band? The couple is just flying for their lives. Both of Paige and Henry are living with them in their lifelong memory. They are without them in reality, and are leaving alone. Paige's decision of "stay" shocked me a lot. Philip and Elizabeth just watched her, even had no time to say good-bye. I do believe this set will keep in my heart for a long time.
I cried sadly when I heard this song in the last episode. It recalled my left from the same country in June 2014. At that time, I drove a rental car, playing my iPod with shuffle mode. This song just came and hit my heart, again and again. I have to stop the car on the side, to get myself calm.
The nineteen-eighths is fascinating in our age, like the "golden era". The rise of free market economics leads to booming enterprises. The emergence of new technologies and media revolutionized communication, entertainment, and business. The growth of pop culture and consumerism, music, movies, fashion, and sports, are the fundamental elements for the next decades. I really enjoy the "taste" deriving from this series, bringing more sentimental emotions back to 1980s.
It's time to say goodbye to the Jennings' family.
This TV series is on my top 5 list.
记得初中读过的一本间谍小说《针眼》，当时读起来真是惊险刺激。主人公那把针形匕首，给我留下了深刻的印象。初中开始接触了弗莱明的007系列的小说。间谍，在我的心目中是一份神圣、神秘、神奇的职业。各种间谍手段、各种间谍工具，什么微缩胶卷啊，什么暗号啊，什么窃听啊……简直让我崇拜这份职业。也难怪，当年喜欢看的电影也都是“反特”电影。什么《徐秋影案件》、《国庆十点钟》、《黑三角》等等等等，都是反间谍的。
这部美国谍梦初看平淡无奇，我看评论甚至有人第一集都看不下去呢。
呵呵。
其实论起来，这部连续剧是我看过的描写间谍相当靠谱的一部。像007那种间谍，只是个传说而已。真正的间谍生活就是看似平淡。也许你身边拉板车的老汉就是个间谍呢。别以为间谍个个神勇潇洒英俊，真正的间谍都是尽量让自己不显眼的，所以越是平凡才越是有可能呢。
说回这部连续剧，因为追的美剧太多了，断断续续总算今天看完了。只有一句话：太棒了！
整部片子透出的那种70、80年代的风格，那些间谍工具和间谍手段的刻画，相当的写实（当然，我也没做过间谍，只是非常符合我阅读的那些间谍小说而已）。
不知道为什么，现在很少看到好的间谍小说了，也许是没遇到，也许，间谍已经过时了？
不过至少，还是让我这个间谍小说迷相当满足。
不太会写影评，只是表达一下个人感受。头一次在豆瓣写，说错莫怪。