On a hot summer afternoon in New York, Emma Jones gossips with other neighbors in her residential building about the affair that Mrs. Anna Maurrant and the milkman Steve Sankey are having. When the rude and unfriendly Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is being sexually pressured by her married boss Mr. Bert Easter. She does however very much like her kind young Jewish neighbor Sam, who has a serious crush on her The next morning, Frank Maurrant tells his wife that he is traveling to Stamford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home. He realizes his wife is upstairs with Sankey, and runs upstairs. We hear shots and see the two men struggling as Sankey tries to escape through the window. Maurrant runs out with a gun. He has killed Sankey and fatally wounded his wife. Maurrant is apprehended and is led away by police. He apologizes to his daughter Rose, who will now have to take care of herself and her young brother without either parent. Rose's boss offers once again to set her up in her own apartment, but she refuses. Then she sees Sam, and tells him she wants to leave the city. Sam pleads with her to let him go with her, but she tells him it will be better for the two of them to have a couple of years apart before they consider becoming a couple. Rose walks off down the street by herself.
果树：
自然、纯熟、丰富。一部叫公寓街景的影片，所能呈现的、所应当呈现的都在了。
冷雨醉清秋：
影片展现了很多背景：人种的歧视移民的待遇信仰的不同…不得不说，电影短小精悍，内容丰富，戏剧性强。
Morning：
是教科书但不像是艺术品，出色的摄影和准确的表演，以及一网打尽的剧作，人物和对话应有尽有，开篇是好看了，某方面做了一个高与低的结构，但众多角色进进出出之后就显得刻意而为之，尤其他们谈论的话题，太过于话题。人物也是十分有特点的，虽然短短时间内写出层次比较难，但这样确实很几幕舞台剧的做法，可以从中学到很多技巧，但如果说这是如同热浪般的作品，还欠缺点什么。
一桶猫：
特别生动的公寓众生相，由各类对话而逐渐升级的矛盾和紧张感，真实的「场景调度教科书」 。
折射入网：
纽约社会百态，仅仅在几处场景中表现，其中女性角色相当立体。
FranzCamus：
场景调度教科书一般的作品 以及短小精悍的剧本。叙事内容十分饱满 依然带有默片色彩的一部早期有声片。Sylvia Sydney是被低估的一位优秀演员。
Her Majesty：
闲聊电影（即角色间的聊天内容与电影主题无关）的祖宗之一，主题其实是两性关系，能看出导演对男权的批判。格局其实可以更大一点儿。
#FIFF19#第5日场刊评分将于稍后释出，请大家拭目以待了。