Unable to find inspiration for his newest piece, young author Liam (Daryl McCormack) takes on the titanic weight of tutoring the son of legendary writer J.M. Sinclair (Richard E. Grant) and his wife Hélène Sinclair (Julie Delpy). Reeling from the mysterious passing of their eldest son, the Sinclairs push Liam to work harder and invite him to stay on the estate grounds with them. Soon enough, lies big and small unfurl as a well-intentioned exercise quickly transforms into a saga of lust, betrayal, jealousy, and the quest for legacy-defining relevance. A battle of wits begins with everyone carrying much to lose Delpy, Grant, and McCormack all make triumphant returns to Tribeca in a drama bubbling with explorations of authorship and the inextricable link between family, no matter how broken. Thrilling and darkly comedic, the project questions the efficacy and sour ethical dynamics which may arise from mentorship and the tenuous hopes and dreams many wrap around that very concept.
Flex的剧本《Rose three》，那部仅完成了第一、第二章，就以现实里自杀结束的故事，在1:26:05才正式开始第一幕，两人开始台词，接下来的剧情都是《Rose three》里面的剧情，运转在《教训》这个故事的第三章里面，
《Rose three》的剧情包括了本剧的全部内容，包括了《教训》本剧的开场、过程和结局，那个由男主续写的结局。
甚至包括了不存在的《24号塔》。
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就是解释了怎样在故事，直接用第三章里面结构出第一、第二章和第三章的创作技巧，无中生有的技巧。
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被重新包装演绎的《万能钥匙》。
魔鬼本人扮演魔鬼本人的烂梗。
在故事里面创作故事的起因、过程和结局是老套的模仿行为。
魔鬼与神的两面性的老土吐槽。
观众扮演观众的观感并不够诱因，节奏太Old school，观众不跟故事本身同步根本就看不下去。
同样的献祭内核，娱乐性不如《林中小屋》，《准备好了没？》和《the hunt》，欲感满满始终不如青春的胸前十六两和一些枪弹，诡异感又不如《遗传厄运》和《银湖之底》，
仅余一段节奏略慢的优雅的献祭过程，但诸多的不如，却因为选角很好而足以掩盖，所以说ZZZQ没有意义，多样性是要为美感服务，而不是为了多样性而多样性。