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    嗨,妈妈!是由布莱恩·德·帕尔玛执导的一部拍摄于1970年喜剧片在美国上映,主演由罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特领衔。  In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
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    O Lucky Man!

    从魅影天堂开始正序刷完了德帕尔玛,再从此倒着回顾下他的早期作品。说实话,这部作品的喜剧氛围很淡,有的只是在对电影、社会、战争讽刺之下背景式的一种自欺欺人的幽默罢了。

    影片其实可以分为双线并进,明线是男主偷拍别人私生活想要赚钱得到认可,而暗线则是对面楼上“Be Black Baby”活动的暗中进行。明线作为“幽默”担当,讲了男主为拍h片,以身作则去搭讪寂寞女邻居,却因固定机位设置失败而被炒鱿鱼的故事,男主失业变卖摄像机而换来一台电视,并去应聘当演员因而迁出暗线“Be Black Baby”运动。

    暗线完全以黑白画面展现,看似实际在进行,其实则是男主观看的电视节目在呈现,讲述了几个黑人和一个白人“组织Be Black Baby”这一白人体验黑人生活运动的发展。初期他们的活动还较为平和,而后则越来越激化,甚至最后成为了一场屠杀和革命。特别是中端的志愿者体验部分,活动中的白人志愿者被组织活动的黑人用偷窃,虐待,殴打,甚至性侵的方式来使志愿者感受到黑人在社会上所遭受的待遇。其中连男主扮演的能带来唯一希望的警察的到来,也是助纣为虐,带来的是更加变本加厉的虐待。德帕尔玛通过运用主观镜头的跟拍,去将电影观众与也带入这一体验运动中去,手持镜头的摇晃与失序,黑白画面的不确定性,使观众感受到电影中人物的恐慌与无助,带来极其震撼的视觉冲击。虽说活动最后以玩笑收尾,但面对镜头,每一名志愿者都上气不接下气,一脸严肃地说着活动给自己带来的意义,看来这“黑色”之下的“幽默”也带来了胁迫式的顺从。

    电影开头偷拍的情节,其实就已展现出了德帕尔玛早期对偷拍艺术和分屏理念运用的雏形。通过偷拍镜头的随意剪辑,展现对楼人们私生活的日常,来反映平静下的暗潮汹涌以及当时人们荒谬的社会生活。而影片通过明暗线并进,彩色画面的“幽默”与黑白画面“黑色”暴力的交叉,极大丰富了观众视听体验,在主观镜头的带领下,那些荒谬与讽刺也显得如此逼真。

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