Following on from the impressive Drift with its hypnotic transatlantic sequences reminiscent of Michael Snow, Helena Wittmann’s second feature is set in the Mediterranean Sea. The heroine navigates along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary Odyssey that is at once political and sensuous
Is about communicating, dance is you don’t need language.
提问与军中禁恋的影响与关系
Film
Develop film is a physical thing when you do the experiments adjusting the temperature, add salt change the receipt, it will change the relationship between you and image.
Post-Colonization
The complexity of history
My film is about Open a space to communicate, be sensitive about every moment. I’m don’t believe any truth, I’m doubtful it, cause it simplifies things.
Human flowers of flesh
Helena Wittmann
流动的感官，在海洋和沙漠之间建立亲缘
Voyages
Film on sea
Film on land
Is two different way of thinking
Language
I love language is reality is surround us.
Dance
Is about communicating, dance is you don’t need language.
提问与军中禁恋的影响与关系
Film
Develop film is a physical thing when you do the experiments adjusting the temperature, add salt change the receipt, it will change the relationship between you and image.
Post-Colonization
The complexity of history
My film is about Open a space to communicate, be sensitive about every moment. I’m don’t believe any truth, I’m doubtful it, cause it simplifies things.
I don’t have the mission in my film
（以下言论仅代表个人，一个较为热爱看电影的普通观众）
t
开场两分钟就困了，四十分钟我开始坐立难安生气了，整场电影结束了我不知道四个人到底是谁要做什么他们为什么在这里是什么关系。
t
整个电影充满了过长又毫无任何象征性意义的B-Roll，文本像初中生写散文，矫情又不明所以，想显得深刻一点就开始让主角读书引用别人的话。
t
拍到主角的时候，主角们就像是被太阳晒干了，一个镜头只能做一个动作，要么就是眺望远方，要不就是重复同一个动作长达五分钟。确实和一开始提到的美杜莎有一些相互照应的作用了。
t
开场前看了一眼简介，根本看不懂。确实在一开场女主虽然戴了遮阳帽，却还要用手遮太阳的时候开始感到大事不妙。
t
要我说如果导演想要表达一些无尽的等待和不确定性，并且也少言寡语，看看人家小情歌是怎么拍的。如果只是想拍一个实验性影片，请在十分钟内结尾。
t
如果有人说画面很美，喜欢看海，其实我想说，导演适合做一个时尚摄影师。