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    无语问苍天是由达尔顿·特朗勃执导的一部拍摄于1971年剧情,战争片在美国上映,主演由唐·瑞德·巴里,蒂姆斯·伯特姆斯,Craig,Bovia领衔。  故事发生在第一次世界大战期间,强尼(蒂姆斯·伯特姆斯 Timothy Bottoms 饰)是一位普通的美国青年,怀着报效祖国的心情拿起枪杆走上了战场。不幸的是,在残酷的战争中,强尼身受重伤,失去了他英俊的面庞,也彻底失去了行动能力。残缺不堪的强尼被送入了陆军医院,对亲人的思念支撑着强尼度过了一个又一个充满了疼痛和绝望的夜晚  福斯(黛安·瓦西 Diane Varsi 饰)是医院里的一名护士,负责照料强尼。因为强尼的声带被破坏了无法说话,所以福斯使用了摩斯电码同她进行交谈。善良温柔的福斯渐渐唤醒了强尼内心里对于生存的渴望,可不久之后,福斯不见了。
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    无名之辈

    导演达尔顿·特伦布创作了这篇小说,并将它改编成剧本。主人公的悲惨遭遇引人深思,并在回忆中展示出和平时期的美好生活。主人公遭战争破坏的残缺生命同其渴望生活的心灵形成鲜明对比,发出了对战争抗议的呐喊。为达到阴郁的效果,达尔顿·特伦布最初想把整部片子拍成黑白片,但在拍摄中又作了调整,在拍闪回镜头时用了彩色胶片,同黑白胶片所反映的现实形成对比。

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    movingdust
    可能是我看过的最好的反战电影。看完电影,我突然想要了解摩尔斯电码了。父亲在梦中告诉儿子要动脑子,儿子于是动脑子想到了摩尔斯电码,而且悲哀又讽刺的是,他只用动用他唯一可以动用的器官——他的脑袋,来用摩尔斯码与人交流。这难道是父亲所说的“动脑”的全部含义吗?

    本片竟然在美国遭禁,其反战的激烈程度可想而知。而艺术上的追求也让它不出意料地在戛纳获奖。 布努埃尔盛赞本片的艺术和力量。他本人其实也参与了剧本的改编和创作,片子里的梦境片段确实有明显的布努埃尔特征。
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    忘憂
    In the late 1930s, the novelist and screenwriter Dalton Trumbo read an article about the Prince of Wales paying a visit to a hospital in Canada for veterans of the first World War and meeting a soldier who had lost all of his limbs and senses from an explosion. From that inspiration Trumbo wrote his most famous novel, Johnny Got His Gun, about a soldier who wakes up in a hospital to find his arms and legs amputated and that he is blind, deaf and mute. It was published in 1939 to great success and in 1971 was adapted into a film that has since become a classic. But the adaptations didn’t stop there: it was also turned into a play in 1981, and the version you are probably most familiar with was the inspiration for Metallica’s 1989 song “One,” with scenes from the 1971 movie appearing in the music video.

    When it was published in 1939, Trumbo knew that Americans were hoping to avoid having to enter World War II and that people would respond well to a book portraying the horrors of war at its worst (incidentally, that sentiment backfired on him after the Japanese bombed Pearl Harbor, after which his book went through a period of great unpopularity). The film adaptation was not made until 1971, when anti-war sentiments towards Vietnam were at their height and younger filmgoers were once again open to the message Trumbo (who also directed the film) had originally tried to convey. By the time the late 1980’s rolled around and Metallica recorded its version, much of the controversy around the book and the film had died down and so the group was able to write a song that spoke to the horror of being imprisoned inside your own body without the baggage of pro or anti-war sentiments.
    --by Adam Breckenridge

    未看,目前是隨意評分。

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